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I envision this timing most likely created during the Palladium age however I have not validated that. Eddie Torres began instructing and popularizing this timing beginning in the 1980's, from what I recognize. He was mentored by the late June Laberta, a ballroom dancing educator, that aided him develop his strategy and timing.

The story I'm constantly informed below, that still calls for additional investigation, is that as salsa began reaching brand-new target markets outside of the Caribbean and New York, it was much easier and a lot more instinctive to teach cultural outsiders to dance On1 in contrast to On2. This tale doesn't account for the fact that I have actually listened to Rueda de Casino was initially danced a tiempo On3 in Cuba.

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Salsa On1 is simply one of numerous salsa timings you can dance to and it is one of the most usual timing you'll discover worldwide today. Salsa On1 timing interpretation: "On1" means you begin dancing on the first beat of the bar of music the 1. Your break steps (direction adjustments) are on beats 1 and 5.

The exemptions I've found thus far, where On2 is most common, would certainly be around New york city and in South Korea (Salsa San Francisco). I'm certain there are other areas that dance mostly On2 but I have not danced in every country! If you're unsure what timing is most common where you live, ask your local dancing studio

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When a person states "I dance salsa On1" they probably suggest "I dance direct design salsa On1" (although you can dance any design of salsa On1, people usually indicate direct design). Don't fret if you've claimed these things in the past, it's all great we all have! The vital thing is to keep in mind there's a difference in between design and timing and strengthen your understanding so you can be more precise when talking regarding salsa with your close friends.

It attaches nicely with the phrasing in the songs, especially the piano, and various other percussion instruments like the cow bell and giro. Timing and style are 2 various points, so different the concepts when you speak regarding salsa with your friends. Regardless of what timing is most usual in your area of the world, remember you can practically dance any type of style of salsa to any kind of timing discover and take pleasure in!

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There is an initial mambo dancing that came from Cuba and after that spread to Mexico and New York in the 40s and 50s, these days when someone claims "I dance mambo" they suggest salsa On2, which is various than the initial mambo dance. The sporadic free-from actions of the initial mambo were danced solo.

As the dancing began to spread, On1 timing began to end up being popular. Salsa On2 meaning: "On2" means you begin dancing on the initial beat of the bar of music the 2.

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A whole lot of professional dancers enjoy dancing On2 for the diverse methods you can link to the songs. Boy cubano is the songs and dancing that came before mambo and salsa.

It connects well to the clave, bass and conga - Salsa San Francisco. Cha-cha is much like dance On2 contratiempo but you add the triple step on 4 and 8. Danced to the very same beats as On1, your break actions are now on 2 and 6, which alters the feel of the dancing.

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It attaches well with the conga and cowbell. https://anotepad.com/note/read/yyi83ks2. This timing is almost identical to contratiempo On2 however the steps that are usually on 4 and 8 are on 4. 5 and 8. 5 rather half a beat later, which lines up with the syncopated tone of the conga. It's almost like a timing in between a tiempo and contratiempo.

5 instead of 5) you're dancing this syncopated timing. In fact it appears it's usually danced as kind of a "error" for any individual dancing the previous two timings.

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As discussed earlier, this was the initial analysis of dancing on clave (boy clave), where the Puerto Ricans would straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to align as several steps of your basic as feasible with the strikes of the child clave.

Naturally, individuals have actually found a way to dance on almost every timing feasible to son and salsa songs. People dance On3 for the exact same reason you dance On1 since it stresses the strong beats of 1-3-5-7.

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Let's take a look at the beats you dance On1 to: -2-, -6- (solid beats remain in vibrant) Let's check out the beats you dance On3 to: -4-, -8- (solid beats remain in vibrant) Notice exactly how the solid beats are spaced exactly the very same for On1 and On3? All you do is begin tipping On3 as opposed to On1.

That's why dancing On3 is so common in Latin America. People either Try to dance On1 however begin stepping On3 by accident and it works out just fine, or They do not recognize much about timing and are just interpreting what they hear in the songs, based upon their experience growing up in a culture with salsa.

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